April 20, 2017 — Belmont Citizen-Herald
Timeless. In the recent Belmont Media Center debate between Library Board of Trustees candidates, one candidate referenced how, while growing up, she used the World Book Encyclopedias as her reference source. In contrast, I am reasonably certain that my Millennial daughter has never opened a World Book volume, turning instead to the internet as her primary information source. The Belmont library serves both individuals, the middle-aged person who turns to books and the Millennial who turns to the internet, even though looking perhaps for the same information. As that BMC debate comment acknowledged, it is the information, not the mechanism used to record and make that information available, that withstands time.
Let’s consider, for a moment, Louis Armstrong, labelled by TIME publishing as one of the 100 most influential Americans of all time. It was almost this day 94 years ago, April 5, 1923, that Armstrong, as a member of King Oliver’s Creole Jazz Band, made his first recording. And the world changed. According to music historian Phillip Atteberry, “jazz, more or less as we know it, could have happened without a lot of prominent people. If Benny Goodman hadn’t come along as the King of Swing, someone else would have. Something like jazz could have happened without Ella Fitzgerald or Count Basie or Thelonious Monk or even Duke Ellington. But jazz as we know it simply could not have happened without Louis Armstrong.”
More than 40 years after making that first recording, Louis Armstrong was still making history. In 1964 (May 9th), Armstrong ended the Beatles run of 13 straight weeks of having #1 songs with his recording of Hello Dolly. The musical revolution in the United States wrought by the Beatles, in other words, was grounded, at least temporarily, by a nearly 63 year old man who had been playing his trumpet for 40 years.
Much can be said about Louis Armstrong’s legacy. Born in poverty in New Orleans, Armstrong became an international music icon. Even if not the originator of the jazz solo, Louis Armstrong took the jazz solo to new heights. Armstrong gave birth to the use of improvisation in American jazz music. Armstrong began his career with one instrument (the cornet), not moving to a different instrument (the trumpet) until 1926. Even later, Armstrong added decades of unique vocal renditions to his musical legend. All of which is known today, of course, to both young and old.
Which brings me back to the Belmont public library. As I sit here thinking about Louis Armstrong making that historic recording back in April 1923, I find myself somewhat awed by the task that the Belmont library has undertaken for our community. The job of the library is to make accessible not merely music, but information, in a multitude of forms, from a multitude of eras, to a multitude of people. From Louis Armstrong’s first recording in 1926, to his Beatles-defying recording in 1964, up to the music he recorded before his death in 1971, the music of Louis Armstrong will live on in public libraries. Whether available to my Millennial daughter (through You Tube), or to folks my age (through a paper book), information about the life and music of Louis Armstrong is made available to all comers through the public library.
In this era known as The Information Age, you truly have to appreciate the complexity of the job undertaken by the Belmont public library, as a community institution, in making available timeless information to anyone, and everyone, who seeks it. And one must admire the commitment of the people who keep that institution vibrant through all the dramatic changes in information-sharing over time.